I’m an Associate Professor and Australian Research Council Future Fellow working on digital humanities, literary studies, book history, and reading and reception in the School of English, Languages and Literature at the Australian National University. My research explores the critical potential – and limitations – of digital methods for literary studies, a topic that also leads me to consider such things as the nature of archives and the future of the humanities.
My current Future Fellowship project aims to uses new, extensive digital evidence of reception to progress a central insight of cultural criticism: that meaning is not carried by texts but produced in interactions between texts, contexts and readers. “Reading at the Interface: Literatures, Cultures, Technologies” will create an interactive digital platform to connect scholarly work in Australian literary studies to public discussions of literature, enrich reading experiences and provide a vehicle for literary research that engages diverse publics and enhances understanding of Australian literature.
Past research projects have likewise used digital collections to explore the production, circulation and reception of Australian literature. For my “To be continued . . .” project, I mined the National Library of Australia’s Trove database to discover over 21,000 novels, novellas and short stories published in 19th- and early 20th-century Australian newspapers. This fiction came from across the globe, including Britain, America and Australia, as well as France, Germany, New Zealand, Russia, South Africa, and elsewhere. Exploring their circulation and contents provides new insights into how literature travelled globally in this period, and the consequences of this movement for literary, reading, and cultural history. This project also motivated a reconsideration of the relationship of literary history to the archive in this age of digital remediation.
Prior to that, as part of the “Resourceful Reading” project, I worked on a new history of the Australian novel, based on quantitative analysis of the AustLit database. My history revised key tenets of the history of this literary form, relating to literary and cultural value, authorship, gender, genre and the transnational circulation of fiction. It also proposed a new methodological framework for digital book history, combining book history’s pragmatic approach to literary data with the digital humanities concept of modelling as an ongoing and iterative practice.
These projects, as well as my doctoral research on representations of men’s bodies in women’s fiction, have led to a number of books as well as multiple journal articles and chapters. I am also series editor for Anthem Press’s Australian Literature and Culture series and on the editorial boards for Anthem Press’s Book History and Print Culture series as well as a number of journals including Australian Literary Studies and Journal of Cultural Analytics.
Brief (Professional) Bio
I graduated from James Cook University in 2000 with a Bachelor of Arts with First Class Honours. After a year travelling and working in Europe, I undertook a PhD in the School of English, Media Studies and Art History at the University of Queensland. I completed my dissertation in 2005, and in 2006 spent another year travelling, this time in Asia and Europe. In 2007 I took up an Australian Postdoctoral Fellowship in the Department of English at the University of Sydney, before moving to Hobart in mid-2009, to begin a lectureship in English at the University of Tasmania. In 2011, I moved again to the Centre for Digital Humanities Research (then the Digital Humanities Hub) at the Australian National University. I was Head of the centre from 2011 to 2013 and moved to a continuing position in the School of Literature, Languages, and Linguistics in 2017.
Researcher Page for the Australian National University
Google Scholar publications and citations