Forthcoming in 2018. A World of Fiction: Mass-digitization, Nineteenth-century Australian Newspapers, and the Future of Literary History (University of Michigan Press)
Mass-digitised collections are an increasingly important part of the knowledge infrastructure in literary history and the humanities generally. This book explores the requirements and possibilities of research in this context. In discovering and investigating approximately 10,000 works of extended fiction in the largest collection of mass-digitised historical newspapers internationally, it shows how data-rich approaches to literary history can revolutionise ideas about literature in the past and the frameworks and concepts through which we understand it.
Forthcoming in 2018. “How I Pawned My Opals” and Other Lost Fiction by Catherine Martin, with (Orbiter Press)
This book collects for the first time and restores to readers five previously lost stories by Catherine Martin: South Australian feminist, socialist, world traveler, and one of Australia’s most important nineteenth-century authors. In literary criticism of the 1890s, Martin features alongside writers such as Rolf Boldrewood, Ada Cambridge, Henry Kingsley and Catherine Helen Spence as a key figure of the emerging Australian literary tradition. As was the case for all of these nineteenth-century authors, Martin’s stories were published in newspapers. But her habit of publishing anonymously or under pseudonyms means that these stories have until now been unknown to contemporary readers, even as her major works – An Australian Girl, The Silent Sea and The Incredible Journey – have continued to be reissued, read and discussed. In collecting these stories this book enables a fuller sense of Martin’s literary career, including the strong connections between her major works, life, and newspaper fiction. It also presents nineteenth-century Australia writing that is intrinsically interesting, often humorous, and always thought-provoking.
2014. Advancing Digital Humanities: Research, Methods, Theory, co-edited with Paul Arthur (Palgrave Macmillan), moves beyond definition of this dynamic and fast growing field to show how its arguments, analyses, findings and theories are pioneering new directions in the humanities globally.
“Defining Digital Humanities by what it does rather than wrestling with definitions of what it is, the essays in this vibrant anthology are reports of substantive engagements with the intellectual dimensions of technological tools. Each project in this collection starts from research in a core humanities discipline – literature, history, cultural studies – and extends its question of style, authorship, influence, production and reception practices through digital means. They show how approaches once remote from humanistic inquiry – data mining, natural language processing, linked open data, and display platforms for visualization and spatial information – are now integral to the intellectual life of the humanities, building on and extending traditional approaches to reading, editing, and interpretation. An excellent volume for those new to the field as well as insiders, each of whom will take away something of value from the carefully crafted insights of these essays.” – Johanna Drucker, Breslauer Professor of Bibliography, Information Studies, UCLA
“This collection of essays is an essential travel guide for anyone who wishes to venture into the varied, complex and challenging intellectual terrain of the digital humanities. The volume moves discussion of digital humanities beyond arid debates about the definition of the field and illustrates the wider theoretical and cultural vistas that the digital humanities are opening up. This compelling collection of thought-provoking essays vividly illustrates how humanities scholars are using digital methods to refashion our cultural understanding and transform representations of knowledge across subjects ranging from Dickens to the Twittersphere. The contributors include not only some of the most distinguished international scholars in the field, but also young researchers engaged in innovative experimentation at the digital coalface, and their energy, diversity and intellectual ambition makes this volume a captivating read. Advancing Digital Humanities is a fundamental and unmissable contribution to the intellectual and theoretical formation of this importnat new area of scholarly endeavour.” – Andrew Prescott, Professor and Head, Department of Digital Humanities, King’s College London
“Advancing Digital Humanities: Research, Methods, Theories is essential reading for those considering the future of our interdiscipline.” – Professor Ray Siemens, Canada Research Chair in Humanities Computing, University of Victoria
“This is a considered and timely intervention with chapters by many recognised voices in the DH community as well as many not well known beyond Australasia. Rich in analysis, these authors consistently demonstrate just how pervasive digital methods and theories are in changing the ways in which we do research in the humanities.” – Professor Susan Schreibman, Professor Digital Humanities, National University of Ireland Maynooth
2012. Reading by Numbers: Recalibrating the Literary Field (Anthem Press) explores the critical potential of digital humanities and quantitative methods to produce new knowledge about literary and cultural history.
“It is not often – or often enough – that one is confronted by a work that has the power to transform a field of study, but this is precisely what Katherine Bode has achieved in her new history of the Australian novel. Reading by Numbers is as exciting as it is unsettling and it offers a major intervention in Australian literary history, not least in its power to challenge both sedimented accounts of that history and the methods used to produce them.” – Associate Professor Maryanne Dever, Australian Literary Studies
“Reading by Numbers is a stimulating book that brings quantitative methods to bear on longstanding questions and assumptions in Australian publishing history. Bode effectively demonstrates the value of these methods in real-world contexts without over-asserting their primacy or authority. Instead, she argues that applying numbers to literary history is one meaningful form of interpretation that is situated and malleable, given the ever-changing nature of literary records and the subjectivity of the researcher’s decision-making process. Her findings help us better understand how publication format, gender, and colonizing power affected publishing in Australia and how local authors developed their own identities alongside Britain’s influences.” – Britt Hoskins, Digital Humanities Quarterly
“Bode doesn’t pull her punches. What this book shows is that, given sufficiently extensive and longitudinal publication data, existing assumptions and generalisations about the trends of recent and historical literary publishing can be challenged in ways no longer dependent on anecdote and impression. This brings freshness to existing debates concerning historical literary publishing, both directly for Australian literature and implicitly for all others.” – Professor Paul Eggert, Loyola University Chicago
“Reading by Numbers challenges current practices and theories by drawing on current work in digital humanities and book history to explore a remarkably cohesive digital literary collection. Dr Bode brilliantly demonstrates the power yet contingency and partiality of known methods and theories.” – Professor Willard McCarty, King’s College London and University of Western Sydney
2009. Resourceful Reading: The New Empiricism, eResearch and Australian Literary Culture, co-edited with Robert Dixon (Sydney University Press), is the first collection to explore the intersection of digital humanities and literary and cultural studies in Australia.
“The editors and contributors of this important volume are to be congratulated for injecting methodological dynamism and theoretical optimism into local literary studies …” – Dr Simone Murray, Reviews in Australian Literature
“Resourceful Reading is … an accessible yet authoritative survey of the main resources that are being developed, the kinds of work that are now being done, and the mood of the room at this critical moment in the evolution of the eHumanities. … the contributors offer a consistently high standard of work, keenly relevant to the state of play right now and into the near future.” – Dr John Byron, Australian Book Review
2008. Damaged Men/Desiring Women: Male Bodies in Contemporary Australian Women’s Fiction (VDM) explores the trope of damaged male bodies in Australian novels by women, published between 1998 and 2002. It shows how female characters’ visual fascination with these damaged male bodies works in complex ways to both confirm and challenge prevailing constructions of femininity, masculinity, and the male body.
Download the book here.
“Katherine Bode’s book represents an important departure for feminist criticism and especially for Australian literary criticism. … This book is beautifully written, theoretically complex and yet not overstated.” – Professor Alison Bartlett, Australian Women’s Book Review
“… an important contribution to current scholarship in the area of contemporary Australian women’s fiction … Bode’s focus is always on the value of multiplicity in reading, an approach that is enhanced by an ambitious theoretical framework designed to continually open up interpretation and offer alternatives. … By providing such a detailed and open-ended reading of these novels, she has contributed to recent academic debates on the intersection between masculinity crisis and feminism in a way that is both thoughtful and productive.” – Sandra Knowles, Australian Feminist Studies